1816-1882 French/American Regis-Francois Gignoux Gallery French painter who was active in the United States from 1840 to 1870. He was born in Lyon, France and studied at the École des Beaux-Arts under with the French painter Paul Delaroche (1797-1856). Gignoux arrived in the United States from France in 1840 and opened a studio in Brooklyn, New York. He was a member of the National Academy of Design, and was the first president of the Brooklyn Art Academy. George Inness (1825-1894) and John LaFarge (1835-1910) were both his students. Gignoux was the only member of the Hudson River School to specialize in snow scenes. He returned to France in 1870 and died in Paris in 1882. The Brooklyn Museum, the Corcoran Gallery of Art (Washington, DC), the Georgia Museum of Art (University Of Georgia, Athens), the High Museum of Art (Atlanta, Georgia), the Honolulu Academy of Arts, the Hood Museum of Art (Dartmouth College, Hanover, New Hampshire), the Museum of Art at Brigham Young University (Provo, Utah), the Museum of Fine Arts, Boston, the Nelson-Atkins Museum of Art (Kansas City, Missouri), the New York Historical Society (New York City), the Parrish Art Museum (Southampton, New York), Smith College Museum of Art (Northampton, Massachusetts), the United States Capital Art Collection (Washington, D. C.), the Walters Art Museum (Baltimore, Maryland) and the Watson Gallery (Wheaton College, Norton, Massachusetts) are among the public collections holding work by R??gis François Gignoux.  Related Paintings of Regis-Francois Gignoux :. | Winter Sports 1 | First Snow Along the Hudson River | Henri Gauthier | Lake George at Sunset 1862 | Skating by the Mill |
Related Artists:
Isaak Soreau
painted Basket with fruit and plum leaves in c. 1640
PAOLINI, Pietro
Italian painter, Lucchese school (b. 1603, Lucca, d. 1681, Lucca) Italian painter. He was the son of Tommaso Paolini and Ginevra Raffaelli, both from Lucca. In 1619 Paolini's father sent him to study under Angelo Caroselli in Rome. His artistic formation was also influenced by the circle of Italian and, especially, northern European followers of Bartolomeo Manfredi, who were active in Rome between 1620 and 1630. The following works, though undocumented, may be dated to this Roman period: Martha and Mary Magdalene (Rome, Gal. Pallavicini), the Concert of Female Musicians (Malibu, CA, Getty Mus.) and the Bacchic Concert (Dallas, TX, Hoblitzelle priv. col., see Maccari Giusti, pl. 3). Paolini's first religious works, such as the Deposition (Lucca, S Frediano), as well as many portraits, also show signs of Roman influence. Around 1628 he went to Venice, where he stayed for two years. The effects of this visit can be seen in his later religious works, such as the Virgin and Saints (Rome, Pal. Barberini) and the Virgin and Saints (Lucca, Villa Guinigi), and also in his history paintings, such as Esther and Ahasuerus (Denver, CO, A. Mus.). He returned to Lucca in 1631, where, from these early experiences, he created an original style, in which he painted cabinet pictures, often on musical or allegorical themes, such as the Ages of Life (Lucca, Mazzarosa priv. col., see Maccari Giusti, pl. 10) and the series Music, Astronomy, Geometry, Philosophy (Lucca, Bertocchini Dinucci priv. col., see Maccari Giusti, pls 56-9). Around 1650 he opened, at his own expense, an academy based on the principle of 'art from nature', at which numerous artists, such as Girolamo Scaglia (d c. 1686), Antonio Franchi, Simone del Tintore and his brother Francesco (1645-1718) were trained.
Charles Codman
(circa 1800-1842) was a landscape painter of Portland, Maine. His art is featured at the Portland Museum of Art as mature, fine early American landscape painting. Codman was probably from Boston and was apprenticed to the ornamental painter, John Ritto Penniman. Codman began as a decorative painter and had no formal training but eventually produced mature works of romance and beauty. One of his more important commissions was to design and paint five fireboards (decorative panels placed over hearths during the summertime) in the landscape style, for the Portland mansion of shipbuilder James Deering. He also filled commissions for both portraiture and decorative arts.